DEAD GODS GALLERY
THE CATHEDRAL
RELICS / REVELATION / REQUIEM
THE MASTER EXHIBITION
Not marble. Not glass. Monumental images enthroning the fallen—built to overwhelm the senses and restore awe in an age that forgets how to kneel.
Each gaze is a summons.
Together, they form the altar of memory and reckoning.
The Cathedral will rise for exhibition, when all altars of the Dead Gods are unveiled.
THE ALTAR OF ICONS
At the heart of every Cathedral is its altar. Here, it is formed by twelve icons reborn into myth— rebel prophets and fated muses enthroned in fire.
The Rebel Prophets
The masculine voices that carried the torch and paid the price. Icons who rose in defiance and burned for their vision. They are the Prometheans, the Icarus, the prophets ordained and undone by their flame.
The Fated Muses
The feminine figures adorned and betrayed by beauty. Icons cast as sacrifice, their innocence transfigured into omen. They bloom, they descend to return in prophecy — and yet they will always remain eternal.
THE NEED FOR SACRED MEMORY
We live in an age that forgets quickly. Images scroll past, lives collapse into data, beauty is consumed and discarded.
The Cathedral of Dead Gods is a rebellion against forgetting. It insists that memory must be witnessed, that beauty is not disposable, that icons are not content.
Each work stands as indictment and altar— confronting what we have lost, and what we still risk losing. To remember is to resist. To enthrone is to rebel.
ENTER THE CATHEDRAL
This is not display—it is judgment and altar.
The icons rise in their appointed time: four have risen; eight wait in the dark. Some already burn before you. Others remain veiled—names withheld, faces hidden—until the flame calls them forth.