Dead gods gallery
THE DOCTRINE
THE VOW | THE VISION

"This is not comfort art. It is art as charge, as reckoning."
THE GALLERY VOW
Dead Gods Gallery is crucible, not shrine.
Here, modern culture's idols are reforged in flame. Each work unveils an Icon, and embodies the mythic wound each had to pay in blood.
These works do not mourn. They confront.
Each portrait is an altar, each altar a question:
What have we sacrificed, in the name of beauty, fame, or power? What gods have we made of those sacrifices?
This vision is not nostalgia, but both prophecy and reminder.
A reclamation of icons as scripture, for an age without sanctity.
Dead Gods Gallery is crucible, not shrine.
Here, modern culture's idols are reforged in flame. Each work unveils an Icon, and embodies the mythic wound each had to pay in blood..
These works do not mourn. They confront.
Each portrait is an altar, each altar a question:
What have we sacrificed in the name of beauty, fame, and power? What gods have we made of those sacrifices?.
This vision is not nostalgia, but both prophecy and reminder. A reclamation of icons as scripture, for an age without sanctity.

LAW OF THE DEAD GODS
"Beauty is a vow with a cost."
-
No Icon Is Unscathed —
Every figure chosen bears scars of sacrifice.
Their myth is unearthed, not invented. -
Myth Is Weaponized —
Ancient archetype and modern icon fuse to reveal eternal law beneath cultural spectacle.
-
The Work Must Confront —
Beauty is never ornamental; it is sharpened, venomous, and holy.
-
The Gaze Sees All —
The gaze is not passive. It pierces. It judges. And it sees you back.
-
No Icon Is Unscathed —
Every figure chosen bears scars of sacrifice. Their myth is unearthed, not invented.
-
Myth Is Weaponized —
Ancient archetype and modern icon fuse to reveal eternal law beneath cultural spectacle.
-
The Work Must Confront —
Beauty is never ornamental; it is sharpened, venomous, and holy.
-
The Gaze Sees All —
The gaze is not passive. It pierces. It judges. And it sees you back.
I What is a Relic?
Every work in Dead Gods Gallery is printed as a gallery-grade relic, not a reproduction. Built for permanence and witness—an image to be encountered, not consumed.
II Materials & Print — ChromaLuxe
Why ChromaLuxe: dye-sublimation infuses the image into aluminum—color locked within the metal.
- Color & contrast: premier saturation, deep blacks, micro-detail.
- Surface options: exhibition gloss, satin, or matte.
- Durability: resistant to UV, abrasion, and moisture.
- Permanence: built to endure decades under proper display.
Metal is chosen over paper or canvas to carry the work with the gravity of a relic—scripture in alloy.
III Editions & Scale
Master Editions: monumental—minimum 48 × 48 in, each commanding its own altar-space.
Collector Editions: sacredly limited to 33 per work—the number of trial, sacrifice, and initiation.
Both editions are produced with equal reverence and image integrity.
IV Authenticity & Documentation
Each relic is signed, sealed, and issued with a Certificate of Authenticity bearing the IRIX glyph, edition number, and a doctrine excerpt. Registrations are recorded; replacements are not issued.
V Display & Care
- Display: hang at eye level with 12–24 in of breathing space; avoid competing ornament.
- Lighting: soft directional light; avoid glare-heavy overheads.
- Care: dry microfiber only; no solvents. Handle with gloves; edges are precision-cut.
VI Lighting & Installation
For gallery presentation, use a 30–45° beam from a track or wall wash; dim to reveal depth without specular glare. Use the supplied mount or a French cleat anchored to studs.
VII Longevity & Archival
ChromaLuxe aluminum panels demonstrate exceptional lightfastness and environmental resilience under museum display conditions. The relic is built to outlast trends, seasons, and settings.